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Mostrando entradas de octubre, 2021

Eneida Marta, a genuine African voice from Guinea-Bissau.

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Play & listen - Escolta Eneida Marta is a genuine African voice of a very fertile musical generation in Guinea-Bissau. She mixes his remarkable voice with rhythms such as Gumbé, Tina, Singa, Djanbadon and Afro-beat, among others, singing in Mandinga, Fula, Creole, Portuguese and some other languages, all spoken in his country. In this way he combines the roots of his origins with the vitality of the arrangements of Juca Delgado, one of the most important producers of African music in Portugal. Eneida Marta,   una de les veus més genuïnes i vibrants africanes d’una generació musical molt   fèrtil de Guinea Bissau. Barreja la seva notable veu amb ritmes com el gumbé, tina, singa, djanbadon o  afro-beat entre d’altres, cantant en llengües mandinguès, fula, crioll, portuguès i alguna més, totes elles  parlades  al seu país. D’aquesta manera combina les arrels dels seus orígens amb la vitalitat dels arranjaments de  Juca Delgado,  un dels productors de música africana més importants d

Kurdish music from Iran of the band Kurdophone.

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 Play & listen - Escolta Introducing the Kurdophone music group, founded in Vienna in 2017 by Iranian-born Kurdish singer and musician Omid Darvish. Their music has been classified as Kurdish-jazz, but they are also remarkably successful in combining Iranian popular music with contemporary classical melodies using ancient Iranian instruments. Some of their musicians are Austrians who help bring Kurdish melodies to sound with Western influences in a single musical unit. The popular Kurdish melodies of Iran are the protagonists now and here with the Kurdophone. Us presentem el grup musical Kurdophone, fundat a Viena (Àustria) al 2017 pel cantant i músic iranià d’origen kurd Omid Darvish. La seva música s'ha classificat com a kurdish-jazz, però també tenen notable èxit en combinar la música popular iraniana amb melodies clàssiques contemporànies utilitzant antics  instruments de l’Iran. Una part dels seus musics són austríacs que ajuden a portar les melodies kurdes a que son

The Flamenco/Jazz of Sergio de Lope from Andalusia (Southern Spain).

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 Play & listen - Escolta The flamenco / jazz flutist and saxophonist Sergio de Lope holds a degree in Flamenco from the Conservatory of Music of Córdoba, Southern of Spain. When Sergio was 8 years old  he began his saxophone studies at the Conservatory, but it was at 16 when he decided to start playing the flute in a self-taught way to play flamenco. In December 2015 he released his first album 'A night in Utrera', with which he toured more than 50 concerts started at the Biennial of Flamenco in Seville 2016. He has performed at prestigious festivals around the world, in Europe, North and South America and even in Australia and Azerbaijan.   El   flautista i saxofonista de flamenc/jazz   Sergio de Lope és llicenciat en Flamencologia al Conservatori Superior de Música de Còrdova. Als 8 anys començà els seus estudis de saxòfon al Conservatori, però és als 16  quan decideix iniciar-se en la flauta travessera de manera autodidacta per tocar flamenc. Al desembre de 2015 publ

FM radio in Catalunya/Catalonia & Lengadòc (Occitània)

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  Lengadòc (Occitània)     Alt Empordà     Montsià (Terres de l'Ebre)                                                                                   Alt Empordà  Baix Llobregat Alt Empordà Garrotxa Baix Empordà Montsià (Terres de l'Ebre)

Traveling to Armenia with musician Arsen Petrosyan.

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 Play & listen - Escolta Arsen Petrosyan has recently emerged as one of his generations main proponents of the Armenian duduk, an instrument of double reed woodwind, cylindrical tube and straight, which is typical of the traditional music of Armenia. He has managed to carve out his own pathway thanks to diverse collaborations and has performed in Europe, Middle East, Central Asia and the Caucasus with two of his  musical groups. As a solo artist, Petrosyan has also toured extensively in North America as well as the territories noted above. Arsen Petrosyan ha emergit recentment com un dels principals defensors de la seva generació del duduk armeni, un instrument de vent, de llengüeta doble i tub cilíndric i recte, que és propi de la música tradicional d'Armènia. Segunit els passos de diferents mestres, Petrosyan ha aconseguit forjar el seu propi camí a través de diverses col·laboracions i ha actuat a Europa, Orient Mitjà, Àsia Central i el Caucas amb dos dels seus grups musi